Marriage brings new dreams and hopes for a woman, but often, these aspirations are overshadowed by societal expectations. Many women find themselves confined to household duties, their ambitions fading away in the daily routine of managing a home. Mrs. beautifully brings this reality to the screen, making it a film that resonates deeply with countless women.

A Hindi Remake with a Stronger Cultural Connection

Mrs. is the Hindi adaptation of the critically acclaimed Malayalam film The Great Indian Kitchen (2021). While retaining the essence of the original, the filmmakers have tailored it for the Hindi-speaking audience, setting the story in North India. The addition of cultural traditions like Karva Chauth strengthens the film’s message, making it even more relatable.

Richa’s Story Will Stir Your Soul

The film follows Richa (Sanya Malhotra), a passionate dancer who enters an arranged marriage with Dr. Diwakar (Nishant Dahiya). On their wedding day, her father-in-law (Kanwaljeet) warmly welcomes her as his daughter, but soon after, the reality of her new life unfolds.

When her mother-in-law leaves for the US to care for her pregnant daughter, Richa is left to handle the entire household alone. From cooking and cleaning to managing every little detail, she dedicates herself to the family’s happiness—only to receive criticism instead of appreciation.

Her father-in-law enforces traditional cooking methods, demanding fresh phulkas and chutney made with a grinding stone. Meanwhile, her husband remains emotionally detached, viewing her as merely a source of physical pleasure. When Richa expresses her desire to work, both her husband and father-in-law dismiss the idea without a second thought. Frustrated and disheartened, Richa begins to see the deep-rooted inequality in her marriage and household.

A Mirror to Society’s Deep-Seated Patriarchy

Directed by Aarti Kadav, Mrs. is an eye-opening portrayal of the patriarchal system ingrained in society. It not only highlights the oppressive mindset of men but also questions the passive role women play in sustaining these traditions.

Richa’s mother-in-law, a highly educated woman, spends her days catering to her husband’s needs without protest. She prepares ajwain water for him, polishes his shoes, and ensures his meals are ready on time. This silent submission has conditioned Diwakar to expect the same from his wife.

As Richa struggles in this rigid environment, she confides in a friend, calling herself a free maid and cook. When Diwakar overhears this, he feels insulted—not because of his actions, but because his wife dares to challenge the norm.

The film also questions how women themselves contribute to this cycle. Richa’s own mother advises her to adjust, reflecting a mindset passed down through generations. But Richa represents a new generation of women—those who refuse to let their dreams be crushed under societal pressure.

A Thought-Provoking Cinematic Experience

Mrs. doesn’t just expose the grim realities of patriarchy; it also highlights how systemic conditioning begins in childhood. While it doesn’t deeply explore gender-based upbringing, it subtly points to the way boys are raised with entitlement, reinforcing these inequalities. The film also pays special attention to the visual appeal of food, capturing beautifully shot sequences of traditional cooking.

Sanya Malhotra Shines in a Career-Defining Role

The emotional weight of the film rests on Sanya Malhotra’s shoulders, and she delivers a stellar performance. She effortlessly portrays Richa’s transformation—from a hopeful bride to a woman disillusioned by societal norms. Nishant Dahiya’s role as a conservative husband is convincingly portrayed, while Kanwaljeet perfectly embodies the demanding and critical father-in-law.

A Film That Demands Introspection

Mrs. opens a conversation about a reality that is often ignored. It’s a film that doesn’t just entertain—it provokes thought, urging both men and women to reflect on their roles in sustaining or challenging patriarchal traditions. By the end, the audience is left with a question: Will we continue this cycle, or is it time for change?